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West
Chester University
Spring
2003
West
Chester University
Fall
2002
Spring
2002
Fall
2001
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Course Information WRT 120 Syllabus Lit 165 Syllabus About the Instructor
Notes for Introduction to Literature Fundamental Questions About Literature Critical Approaches to Literature Approaching Literature Ambiguity Critical Thinking and Reading Literature Notes on Four Short Stories Defining the Short Story The Genesis of the Short Story The Art of the Short Story Responding to 'The Birthmark' Notes on Nathaniel Hawthorne A Guided Reading of 'Bartleby' 'Bartleby--Questions for Analysis A Cultural Context for 'Bartleby' A Vocabulary for Fiction and Beyond Notes on Innovative Fiction Young Man on Sixth Avenue A Study Guide for the Fiction Exam Defining Poetry Reading Poetry The Craft of Poetry: Imagery Supplemental Poems The Craft of Poetry: Sound The Craft of Poetry: Structure Lines of Continuity Study Guide for the Poetry Exam The Birth of Greek Tragedy Stepping Through OEDIUPS THE KING Aristotle's 'Tragic Hero' Questions for Studying OEDIUPS The Relevance of OEDIPUS Today Study Guide for the Drama Exam
Notes for Effective Writing I Understanding the 'Rhetorical Situation'
Journeys John Gardner
Announcements and Assignments WRT 120 Announcements WRT 120 Assignments LIT 165 Announcements Lit 165 Assignments
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Go Exploring Weblog for WRT 120 Weblog for LIT 165 Writing Assistance on the Web
Join an Online Forum WRT 120 Composition Forum LIT 165 Introduction to Literature Forum
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~~
A Study Guide for the Drama Exam ~~
Required
Reading
The
Compact Bedford Introduction to Literature, 6/e
A Study of Sophocles
(p. 969-976)
Oedipus the King (p. 976-1017)
On Tragic Character (p. 1018-1020)
Suggested
Reading
Notes
on this website:
The
Birth of Drama
On
Tragic Character
Stepping
Through 'Oedipus the King'
Analyzing
'Oedipus the King'
The Relevance 'Oedipus'Today
Study Guide
Sophocles, Aristotle,
and the Greek Theater
- Who was Sophocles?
In what ways did his work stand out and how was he innovative?
- What were the
theatrical conventions of Greek theater? Based on your reading of the play,
which of these conventions are used in Oedipus the King?
- How were ancient
Greek plays structured? Define prologue, parados, episodia, stasimon, exodus.
- What is tragedy?
How does Michael Meyer, editor of your textbook, define literary tragedy (p.
973)? How did Aristotle define the tragic hero (p. 1018-20)? What effect should
tragedy have on its audience? What is catharsis?
- What is dramatic
irony and where is it present in Oedipus the King?
After studying
the play, you should be prepared to answer questions about:
- the names, identities,
character traits of all the characters in the play (you should know who is
who, to the extent that you can identify the character given an example of
his/her/their speech)
- details concerning
what happens throughout the play and how certain scenes advance the plot or
develop character
After studying
the play, you should be prepared to answer questions which ask you to analyze
or interpret:
- the role of
the chorus, how it responds to the action in the play, particularly on pp.
981-82, 989, 999-1000, 1008-09, 1017.
- the ways in
which the play illustrates Aristotle's declarations about tragedy and tragic
character
- several themes
evoked by the play, as discussed in class and/or in notes assigned on the
course website
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