West Chester University

Fall 2002

West Chester University

Spring 2002

Fall 2001





Course Information
  WRT 120 Syllabus
  Lit 165 Syllabus
  About the Instructor

Notes for Effective Writing I
  Understanding the 'Rhetorical Situation'
  Writing Descriptively
  What Makes a Good Story?
  Building a Thesis
  Notes on 'Purpose'
  Strategies for Writing Introductions
  Strategies for Writing Conclusions
  Assignment #5: Argument
  Understanding Rational Argument

Notes for Introduction to Literature
  Fundamental Questions About Literature
  Critical Approaches to Literature
  Approaching Literature
  Critical Thinking and Reading Literature
  Notes on Four Short Stories
  The Genesis of the Short Story
  Defining the Short Story
  The Art of the Short Story
  A Vocabulary for Fiction and Beyond
  Notes on Nathaniel Hawthorne
  Responding to 'The Birthmark'
  A Guided Reading of 'Bartleby the Scrivener'
  Bartleby--Questions for Analysis
  A Cultural Context for 'Bartleby the Scrivener'
  Notes on Innovative Fiction
  Study Guide for Fiction Exam
  Billy Collins - 'Introduction to Poetry'
  A Catalogue of Poems for Study
  Approaching a Definition of Poetry?
  Reading Poetry
  The Craft of Poetry: Imagery
  Readings from 'The United States of Poetry'
  The Craft of Poetry: Sound
  The Craft of Poetry: Structure
  Lines of Continuity
  Study Guide for Poetry Exam
  The Birth of Drama
  On Tragic Character
  Stepping Through 'Oedipus the King'
  Analyzing 'Oedipus the King'
  The Relevance 'Oedipus'Today
  Study Guide for the Drama Exam

Announcements and Assignments
  WRT 120 Announcements
  WRT 120 Assignments
  LIT 165 Announcements
  Lit 165 Assignments


Go Exploring
  Weblog for WRT 120
  Weblog for LIT 165
  Writing Assistance on the Web

Join an Online Forum
  WRT 120 Composition Forum
  LIT 165 Introduction to Literature Forum

~~ "Bartleby the Scrivener" -- Questions for Analysis ~~

One way it's easy to tell we're in the presence of a great, rich fascinating story is that there's potentially so much to discuss. In addition to all of the background material I'd like to share with you, we could easily pick any of these topics and spend quite a bit of time hashing them around, picking their fruits.

Protagonist / Antagonist? - what is the Boss up against in the person of Bartleby? Does Bartleby represent a force beyond himself as an individual?
Major / Minor (Who are the major players in the story? What do we know about them? Are they likable? Sympathetic? Realistic? What's the function of the story's minor characters?)
Dynamic / Static-Who changes? Who stays the same? Is the story about growth or change?
Round / Flat-Who is the round character? Who are the flat characters?

Point of view
Who tells the story? - the first person narrator, who is flawed but human…He's reliable, we trust him. His actions definitely support what he tells us about himself; especially the part about being a man who likes to take the "easy" way. What else is gained by telling this story from the Boss's perspective? Why not Bartleby's perspective? Why not one of the other clerks?

Exposition-what background information does the narrator relate that gives us a greater understanding of the events unfolding? Why does the information about Bartleby's previous employment come at the end of the story rather than at the beginning?
Complication-how does the Boss react when Bartleby repeatedly refuses to perform his duties? How does his reaction intensify? What is the Boss's dilemma?
Climax-Where do you feel the events reach their pinnacle? Where is the conflict most intense, the clash most "explosive"?
Resolution-What's the outcome of the explosion?
Epiphany-who has gained insight in this story, Bartleby or the Boss, or anybody?

Meaning (Theme)
Does the story leave you thinking anything? Feeling anything? What do you make out of it all?
Passive aggressive people are difficult to accommodate, difficult to ignore.
Passive resistance is a radical form of rebellion.
Offices, where Americans spend the greater part of their lives, are not democracies.
Have a life outside work! Don't expect your occupation to bear the burden of your existence.
What other ideas does the story suggest to you?

The Boss doesn't recognize that his own passiveness is as persistent and frustrating as Bartleby's. Or that his genteel, self-interested interest in Bartleby is leading to no good.
Can you think of other ironies?

Bartleby is stubborn, self-absorbed, rebellious, and insubordinate, yet many readers, and even the narrator, the Boss himself, have a deep sympathy for him. Why?

Exactly why does Bartleby always "prefer not to"? Why can't he make friends, or communicate? What's at the heart of his rebellion? Why doesn't he quit and get a different job?
Why does the Boss have sympathy for Bartleby?
What else in the story seems open to individual readers' interpretation?

What do the "dead walls" and Bartleby's "dead wall reveries" represent?
What's the significance of the setting? Why is it a story of "Wall Street"?
Why do Turkey and Nipper have nicknames, but the Boss is never named, and we never learn Bartleby's first name? What's in a name?

Your Questions, My Questions….

1. Why don't we know anything about Bartleby other than what we see of him in the story? Is that a weakness of the story?
2. Why doesn't the Boss just fire Bartleby?
3. What does the Boss do for a living? What kind of company is he running?

More questions to follow!






Questions? Contact me.

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